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Bamba Pana is one of the core producers, alongside \u003c\/span\u003e\u003cb\u003eJay Mitta\u003c\/b\u003e\u003cspan\u003e, of the Sisso studio -- a central hub for MCs and producers in the Mburahati ghetto on the outskirts of Dar Es Salaam. Along with his peers, Bamba Pana uses a laptop and software to update the local, usually acoustic and instrumental style of Singeli, computerizing its hyper rhythms and zinging melodies for the needs of younger, contemporary crowds in an upfront, direct way that has translated far beyond its East African roots, as anyone who witnessed the Sounds of Sisso tour or heard the compilation will surely attest. As a debut album statement, \u003c\/span\u003e\u003cu\u003ePoaa\u003c\/u\u003e\u003cspan\u003e could hardly be more distinguished. Perhaps best compared with the urgent tempi and quicksilver syncopation of \u003c\/span\u003e\u003cu\u003eShangaan Electro\u003c\/u\u003e\u003cspan\u003e or Angolan Kuduro to outsiders, it's effectively a form of Tanzanian grime or hard dance music, using rapid-fire, hypnotic rhythmelodies to drive crowds to dance in thrilling, new ways. Bar one killer cut, \"Linga Linga\" featuring the distinctive bark of Bamba Pana's long-time vocal foil, \u003c\/span\u003e\u003cb\u003eMC Makavelli\u003c\/b\u003e\u003cspan\u003e, the set is entirely instrumental with voices used only as strobing rhythmic filaments. The other eight tracks range from an \"introduction to brand new dance from Africa\" in \"Agaba Kibati,\" to what sounds like turbo speed makina in \"Biti Three,\" whereas \"Baria\" hops from shredding synths to hyper-colored percussion in wild style. Meanwhile \"Biti Six\" features some of the set's giddiest harmonies, spiraling so fast they evoke weightlessness, while \"Kusini\" is patently compatible with the ruffest \u003c\/span\u003e\u003cb\u003eP. \u003c\/b\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21307000619097,"sku":"F_1033","price":125.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/NNT008LP_CU.jpg?v=1725110431"},{"product_id":"the-mighty-maytones-madness-lp","title":"The Mighty Maytones: \"Madness\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eBurning Sounds\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eWorld\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e10\/5\/2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_1019\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\n\u003cg class=\"gr_ gr_59 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace\" id=\"59\" data-gr-id=\"59\"\u003ebr\u003c\/g\u003e {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\n\u003cg class=\"gr_ gr_60 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace\" id=\"60\" data-gr-id=\"60\"\u003ebr\u003c\/g\u003e {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21321552986201,"sku":"F_1019","price":145.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/BSR931LP_PROD.jpg?v=1725110432"},{"product_id":"toots-the-maytals-recoupe-lp","title":"Toots \u0026 The Maytals: \"Recoupe\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eBurning Sounds\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eWorld\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e11\/9\/2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_1018\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\n\u003cg class=\"gr_ gr_59 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace\" id=\"59\" data-gr-id=\"59\"\u003ebr\u003c\/g\u003e {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\n\u003cg class=\"gr_ gr_60 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace\" id=\"60\" data-gr-id=\"60\"\u003ebr\u003c\/g\u003e {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21321576382553,"sku":"F_1018","price":145.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/BSR924LP_PROD.jpg?v=1725110432"},{"product_id":"onom-agremo-the-disco-jumpers-magic-polaroid-lp","title":"Onom Agremo \u0026 The Disco Jumpers: \"Magic Polaroid\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eEver since \u003cb\u003eOnom Agemo \u0026amp; The Disco Jumpers\u003c\/b\u003ebroke the dreaded curse of the difficult second album by releasing \u003cu\u003eLiquid Love\u003c\/u\u003e (2017), a cocktail so spicy and delectable that it could warm the cockles of the grumpiest man alive's heart, even in the most Arctic conditions, everybody wondered how the Onom crew could top that one. But now you have an opportunity to whip out your \u003cu\u003eMagic Polaroid\u003c\/u\u003e as proof that this wasn't an impossible project. Never before has the band so successfully captured their full-on live sound as they do here, thanks to three days of recording frenzy at \u003cb\u003eDaniel Nentwig\u003c\/b\u003eand \u003cb\u003eSebastian Maschat\u003c\/b\u003e's Butterama studio, a haven of analog hardware hidden in a remote part of Berlin's Neukölln district. The exploding kaleidoscope of styles that make up this album, perfectly reflected by the stunning cover artwork from \u003cb\u003eNick Henderson\u003c\/b\u003e and photography by \u003cb\u003eChristoph Rothmeier\u003c\/b\u003e, means that they can no longer be confined to their early description as an Afro-funk quintet or merely described as a living tribute to the artists which have influenced them; their sound is 100 percent pure uncut Onom Agemo, even though every track feels like a new beginning. The presence of a charismatic in-house vocalist who brought her own lyrics along has also boosted their confidence considerably and provided a further knock-out punch to their onstage performances. No one will be disappointed as soon as the first bars of \"The Trumpets Of Denmark\" stomp on stage like a boisterous fanfare, with \u003cb\u003eJohannes Schleiermacher\u003c\/b\u003e's impressive wall of sound production making the musicians sound like a much bigger band than what their line-up suggests (with Maria Schneider from \u003cb\u003eAndromeda Mega Express Orchestra\u003c\/b\u003e adding some extra percussive clout) and just the right amount of dizzying cross-rhythms to steer it away from potential bombast. When Onom Agemo's powerhouse vocalist \u003cb\u003eNatalie Greffel\u003c\/b\u003e starts chanting what at first sounds like a string of onomatopoeia, it soon becomes clear that she's laying down her manifesto for a nostalgic space-age yet to come, with a few key words serving as mantras (focus, patience, tears, and creation). This is an invitation to drive off the information superhighway and its endless litany of polite noises, to redirect our gaze inside ourselves and learn to understand and sometimes question how others perceive us.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e Label: \u003c\/strong\u003eAgogo Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eWorld\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e12\/14\/2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_1012\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\n\u003cg class=\"gr_ gr_59 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace\" id=\"59\" data-gr-id=\"59\"\u003ebr\u003c\/g\u003e {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\n\u003cg class=\"gr_ gr_60 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace\" id=\"60\" data-gr-id=\"60\"\u003ebr\u003c\/g\u003e {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21321650962521,"sku":"F_1012","price":130.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/AR115LP_PROD.jpg?v=1725110433"},{"product_id":"savages-y-suefo-brotherhood-lp","title":"Savages Y Suefo: \"Brotherhood\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter the release of their debut album \u003cu\u003eWorldstyle\u003c\/u\u003e(2012) the Budapest duo \u003cb\u003eSavages Y Suefo\u003c\/b\u003e are now returning with their second album \u003cu\u003eBrotherhood\u003c\/u\u003e; this time their message is more serious. The music summons blues elements but is also influenced by dub, funk and a little hip-hop while the lyrics are mainly about the social and personal problems of our time interpreted by talented guest vocalists from all over the world. The guest performance of \u003cb\u003eKRSA\u003c\/b\u003e puts the point on the letter \"i\" in \"Brotherhood\" and in the other reggae-inspired song \"Pass It On\". Being one of the dominant figures of the Hungarian ska movement he is an important guest on the album. As the main driving force behind \u003cb\u003eFreak Power\u003c\/b\u003e, \u003cb\u003eAshley Slater\u003c\/b\u003e needs no introduction. He has worked with \u003cb\u003eDub Pistols\u003c\/b\u003e, \u003cb\u003eDublex Inc\u003c\/b\u003e, and \u003cb\u003eFort Knox Five\u003c\/b\u003e, and his talents and professional performances turbocharged three songs. \u003cb\u003eDenise M'Baye\u003c\/b\u003e, the MC\/singer of \u003cb\u003eMo'Horizons\u003c\/b\u003e is featured in two down-tempo tracks. \"Wings\" is a laidback song about love while and \"All My Life Is In This Bag\" smuggles back a little bit of the mood of \u003cu\u003eWorldstyle\u003c\/u\u003e. \u003cb\u003eFedora\u003c\/b\u003e is the best-known female MC\/singer of the Hungarian bass music life. With \"Come Away With Me\" she proves that she's not only an bass music MC, but a great singer with deep emotions. Another guest from Hungary is the lead singer of the down-tempo funk band \u003cb\u003eMystical Plants\u003c\/b\u003e. \u003cb\u003eBryant Goodman\u003c\/b\u003e contributes to the album in two different tracks with his gravelly voice. \"Bad Man's Ballad\" is a bittersweet song about the average politician of our age while \"Keep Going On\" on the other hand is full of playfulness and delivers a short but positive message. 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In 1977 Heldon played three unreleased tracks during this tour -- these titles have never been recorded since. Bam Balam Records thought that these three tracks were lost forever, but luckily they were found recently. The sound is rough, but it's a rare document. \u003c\/span\u003e\u003cu\u003eLive In Metz '77\u003c\/u\u003e\u003cspan\u003e was produced by French guitarist and producer Richard Pinhas. All tracks side A are unreleased versions and have never been edited before. 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Together with \u003c\/span\u003e\u003cb\u003eFlorian Fricke\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003ePeter Michael Hamel\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDeuter\u003c\/b\u003e\u003cspan\u003e is certainly mainly responsible for the fruitful encounters between European sensibility and Eastern aesthetics in the German music of the 1970s. \u003c\/span\u003e\u003cu\u003eSoundtrack\u003c\/u\u003e\u003cspan\u003e was originally produced by Kuckuck in 1973 not for an official and public release, but as a \"library\" recording to be used for films, TV, and radio. As a library recording. it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. There's still a solid electronic vocation that, however, has put aside the most disruptive effluvia of \u003c\/span\u003e\u003cu\u003eD\u003c\/u\u003e\u003cspan\u003e (1971) of pure \"kraut\" ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous \u003c\/span\u003e\u003cu\u003eAum\u003c\/u\u003e\u003cspan\u003e (1972) and the following successful phase of Deuter during the period when he stays in the \u003c\/span\u003e\u003cb\u003eBhagwan Shree Rajneesh\u003c\/b\u003e\u003cspan\u003e's ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like \u003c\/span\u003e\u003cu\u003eCelebration\u003c\/u\u003e\u003cspan\u003e(1976), \u003c\/span\u003e\u003cu\u003eHaleakala\u003c\/u\u003e\u003cspan\u003e (1978), \u003c\/span\u003e\u003cu\u003eEcstasy\u003c\/u\u003e\u003cspan\u003e (1979), and \u003c\/span\u003e\u003cu\u003eSilence Is The Answer\u003c\/u\u003e\u003cspan\u003e (1981). 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Originally released on CD on Touch in 2004 and reissued on Southern Lord as a limited double-LP in 2006 during Ambarchi's tenure as a member of \u003c\/span\u003e\u003cb\u003eSunn O)))\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cu\u003eGrapes From The Estate\u003c\/u\u003e\u003cspan\u003e was a landmark release for Ambarchi, seeing him expand his sonic palette beyond the clipped, bass-heavy electric guitar tones he was known for at that point. Incorporating subtle layers of strings, keyboards, percussion over a bedrock of his signature guitar tones, in retrospect this album can be seen as the beginning of a broadening and evolution in Ambarchi's work that would lead to his acclaimed, densely layered epics for Editions Mego, \u003c\/span\u003e\u003cu\u003eQuixotism\u003c\/u\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cu\u003eHubrisю \u003c\/u\u003e\u003cspan\u003eBeginning with the shuddering pure tones of opener \"Corkscrew\", which looks back to previous guitar-only releases such as \u003c\/span\u003e\u003cu\u003eSuspension\u003c\/u\u003e\u003cspan\u003e, the album's next two pieces show a progressive broadening of the instrumental palette and a corresponding move away from textural abstraction and sustained tones towards more traditional notions of musicality. This reached its high point on the album's third piece, the fifteen-minute long \"Remedios The Beauty\", where guitars, both acoustic and electric, strings, piano, and bells build from a murmur to an interlocking web of repeating melodic patterns over gently swinging brushed snare and cymbals. The epic closer, \"Stars Aligned, Webs Spun\", returns you to a space populated only by the electric guitar, but unlike everything Ambarchi had produced up until this point in his career, the piece has a liquid, psychedelic edge that looks forward to the shimmering harmonics of his more recent work. As \u003c\/span\u003e\u003cb\u003eBrendan Walls\u003c\/b\u003e\u003cspan\u003e wrote at the time of the original release, this is \"\u003c\/span\u003e\u003cu\u003eanother outpouring of personal, intimate and enduring music from Oren Ambarchi\u003c\/u\u003e\u003cspan\u003e\". Original artwork and design by \u003c\/span\u003e\u003cb\u003eJon Wozencroft\u003c\/b\u003e\u003cspan\u003e. Redesigned by \u003c\/span\u003e\u003cb\u003eStephen O'Malley\u003c\/b\u003e\u003cspan\u003e. Remastered and cut by \u003c\/span\u003e\u003cb\u003eRashad Becker\u003c\/b\u003e\u003cspan\u003e at Dubplates \u0026amp; Mastering, Berlin. Gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eBlack Truffle\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eExperimental\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 06.04.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0626\u003c\/p\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21334041198681,"sku":"F_0626","price":170.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0626.jpg?v=1725110436"},{"product_id":"tembo-ngozi-family-chrissy-zebby-my-ancestors-lp","title":"Tembo \u0026 Ngozi Family, Chrissy Zebby: \"My Ancestors\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\"It could be argued that this is one of the greatest rock n' roll records of all time! Straight from Zambia, we have \u003c\/span\u003e\u003cu\u003eMy Ancestors\u003c\/u\u003e\u003cspan\u003e. A tough rock and roll masterpiece like no other. Over-ridden fuzz guitars, pop melodies and even a Black Sabbathesque sounding song. Comes in an old school 'tip on' cover. Must be heard to be believed.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eMississippi Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eRock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 13.04.18\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0630\u003c\/p\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21335069294681,"sku":"F_0630","price":90.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0630.jpg?v=1725110438"},{"product_id":"machito-machito-from-montuno-to-cubop-lp","title":"Machito: \"Machito: From Montuno to Cubop\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grosso! Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eWorld\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e21.04.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_6033\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRSD 2018 release. \u003c\/span\u003e\u003cb\u003eMachito\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eFrancisco Raúl Gutiérrez Grillo\u003c\/b\u003e\u003cspan\u003e) had arguably the most influential big band Latin orchestra of the mambo era in New York, being one of the earliest, largest, and hottest. One of the most important innovations of the orchestra was that they were the first to assemble the essential rhythmic trio of tumbadoras (congas), bongó, and timbales, which became the standard percussion lineup in subsequent Latin bands. In a bold move, Machito founded and named his orchestra \u003c\/span\u003e\u003cb\u003eThe Afro-Cubans\u003c\/b\u003e\u003cspan\u003e in 1940, something that was unprecedented at the time, proudly calling out his heritage long before the Civil Rights movement gained momentum or \u003c\/span\u003e\u003cb\u003eJames Brown\u003c\/b\u003e\u003cspan\u003e would proclaim to be black and proud. The orchestra was also the first truly racially integrated and culturally diverse band in the U.S. Machito has stated that the purpose of expanding the small conjunto into the big band format was a concept that aimed to bring the Latin sound up to the current New York standards of sophistication, professionalism, and excellence that the popular swing dance bands of the time enjoyed, enabling them to play complicated charts and attract plentiful multi-racial audiences to large venues. Progressive jazz-influenced arrangements were provided by his good friend and brother-in-law \u003c\/span\u003e\u003cb\u003eMario Bauzá\u003c\/b\u003e\u003cspan\u003e, a clarinetist and trumpeter who had learned about sophisticated jazz composition and swing time from stints with \u003c\/span\u003e\u003cb\u003eDon Redman\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eNoble Sissle\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eChick Webb\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eCab Calloway\u003c\/b\u003e\u003cspan\u003e. This dynamic union of Machito and Bauzá consequently made them key figures in the Afro-Cuban jazz\/Cubop movement that came during the 1940s. What made Machito special as a vocalist was the fact that that he not only sung the \"inspiraciones\" (improvised sections) and lead, but he would also sing coro (chorus) in the same song. Already in his 30s when he started his big band, Machito's voice had a warm, fun-loving, pleasant sound with an old-school vibrato befitting a Broadway entertainer that by the 1950s was sounding more mature than his competitors. Yet he also was well-versed in Afro-Cuban lingo and jazz vocals and fit his authentic soneos expertly into the complicated jazz riffs and tropical poly-rhythms of the orchestra. Features \u003c\/span\u003e\u003cb\u003eCuarteto Caney\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eXavier Cugat Orchestra\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eM. Valdes\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eNoro Morales Orchestra\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eGraciela\u003c\/b\u003e\u003cspan\u003e, and Machito with his various ensembles: \u003c\/span\u003e\u003cb\u003eMachito's Afro Cuban Salseros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSus Afro Cubanos\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eAfro Cuban Orchestra\u003c\/b\u003e\u003cspan\u003e. Some tracks are presented here on vinyl after many years. Remastered and restored. 300g cardboard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21335680811097,"sku":"F_0633","price":165.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f_0633.jpg?v=1725110438"},{"product_id":"mhysa-fantasii-lp","title":"Mhysa: \"Fantasii\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cb\u003eMhysa\u003c\/b\u003e\u003cspan\u003e is in possession of a totally compelling voice and production style, both feeding into a sound that's prone to intuitively explore and reassert the limits of R\u0026amp;B, electronica, or modern soul in 2017. She makes a big impression with \u003c\/span\u003e\u003cu\u003efantasii\u003c\/u\u003e\u003cspan\u003e, her first album proper following dispatches with NON and a lauded mixtape alongside \u003c\/span\u003e\u003cb\u003echukwumaa\u003c\/b\u003e\u003cspan\u003e as \u003c\/span\u003e\u003cb\u003eSCRAAATCH\u003c\/b\u003e\u003cspan\u003e. Think \u003c\/span\u003e\u003cb\u003eKlein\u003c\/b\u003e\u003cspan\u003e's freeform R\u0026amp;B structures riddled with \u003c\/span\u003e\u003cb\u003eRabit\u003c\/b\u003e\u003cspan\u003e-like production tics, and you're in grasping distance of the fractious but idiosyncratically coherent styles inhabited by this highly intriguing addition to the vanguard of new music from the fertile margins of American music. Against a refreshing general lack of broken glass or gunshot samples, the self-described \"Black queer femme cultural producer, sound designer, womanist + Diva\" animates swirling, impossibly balanced structures with a tearaway imagination, keening from vaulted, pitch-shifting gospel in \"Special Need Intro\" to a multi-dimensional, abstract grime cover of \u003c\/span\u003e\u003cb\u003ePrince\u003c\/b\u003e\u003cspan\u003e in the course of 11 songs. The Klein comparisons are apt, the pair share a unique perception of R\u0026amp;B and church music as a gateway to other, dreamlike dimensions. From the way Mhysa appropriates the ecclesiastic psychedelia of physical church spaces in the reverb-storm of \"Glory Be Black\" to the rugged ambient inversion of R\u0026amp;B's usual warmth in the six-minute highlight \"Bb\", or undermining the conventions of club music in the A-grade anti-bangers \"Strobe\" and \"You Not About That Lyfe\", she offers a particular example of the contemporary, young, Black, and queer experience. No doubt, \u003c\/span\u003e\u003cu\u003efantasii\u003c\/u\u003e\u003cspan\u003e is a vital addition to the canon of boundary pushing and resetting music and politics also espoused by \u003c\/span\u003e\u003cb\u003eElysia Crampton\u003c\/b\u003e\u003cspan\u003e, Rabit, \u003c\/span\u003e\u003cb\u003eANGEL-HO\u003c\/b\u003e\u003cspan\u003e, or \u003c\/span\u003e\u003cb\u003eChino Amobi\u003c\/b\u003e\u003cspan\u003e -- one of 2017's most rewarding albums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Halcyon Veil\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Electronic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e26.01.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_6034\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21335715676249,"sku":"F_6034","price":125.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0634.jpg?v=1725110438"},{"product_id":"bass-communion-s-t-lp","title":"Bass Communion: \"s\/t\" LP","description":"\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hidden Art Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eElectronic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e21.04.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0636 \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHidden Art Recordings present a reissue of the debut \u003c\/span\u003e\u003cb\u003eBass Communion\u003c\/b\u003e\u003cspan\u003e album as a double-LP for the first time. \u003c\/span\u003e\u003cb\u003eSteven John Wilson\u003c\/b\u003e\u003cspan\u003e, aka Bass Communion, on the record: \"The first Bass Communion album was originally released in April 1998 by Third Stone, the same label later reissuing it under their Hidden Art Recordings imprint. It was compiled from musical experiments made during a period spanning 1994-97, all of which might loosely be termed ambient. Later on I would spend a lot more time on Bass Communion, often refining structures, processing, and sound combinations over a period of months, but at this point I was making each piece of music within only a few hours and rarely revisiting them afterwards. Several DAT tapes with filled in this way, while CDRs of various track listings were made and passed on to friends, record labels, and anyone that I thought might be receptive to the music. When the chance eventually came to release the first official CD, I listened back to the several hours of material I had accumulated by then and selected what I felt were the highlights to make a five-track disc lasting just over an hour. In retrospect it's the long version of 'Drugged' that makes the album worthwhile for me. The other pieces are perhaps less successful, but I learned something from all of them. One thing the album has in common with later Bass Communion music is that hardly any electronic sources are used, the pieces are mostly derived from processing 'real' instruments such as guitar, saxophone, piano, organ, percussion... etc. 'No News Is Good News' was recorded in 2000 in collaboration with virtuoso oud player \u003c\/span\u003e\u003cb\u003eNaseer Shamma\u003c\/b\u003e\u003cspan\u003e, and originally used a background music for \u003c\/span\u003e\u003cb\u003eGrant Wakefield\u003c\/b\u003e\u003cspan\u003e's audio documentary album \u003c\/span\u003e\u003cu\u003eThe Fire This Time\u003c\/u\u003e\u003cspan\u003e, issued in 2002. As such it dates from a few years after the rest of BC1, but as it's the only other title to have been issued on Hidden Art, it's been included here as a bonus track.\" Comes on 180 gram vinyl and in a gatefold sleeve. Remastered and with exclusive liner notes by \u003c\/span\u003e\u003cb\u003eSteven Wilson\u003c\/b\u003e\u003cspan\u003e. Includes a bonus track not on the CD version and brand-new artwork. Edition of 1000 -- last copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21335796219993,"sku":"F_0636","price":180.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0636.jpg?v=1725110438"},{"product_id":"marc-jonson-years-lp","title":"Marc Jonson: \"Years\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMunster Records present a reissue of \u003cb\u003eMarc Jonson\u003c\/b\u003e's \u003cu\u003eYears\u003c\/u\u003e, originally released in 1972. More than four decades after its original release, a minor album by an obscure artist from the Vanguard catalog is finally reissued on vinyl. There are recordings on the Vanguard label by more famous artists than Marc Jonson, and discs that far outsold \u003cu\u003eYears\u003c\/u\u003e (1972) -- but this collection has stood the test of time. \u003cu\u003eYears\u003c\/u\u003e is not only a stunning debut, but a harbinger of the promise of a young artist. \"Rainy Dues\" kicks off \u003cu\u003eYears\u003c\/u\u003e with a tersely honest statement and proceeds to expound on that with a series of observations and claims about a relationship whose literal nature is nebulous but whose emotional reality is dense. \"Mary\" is a musical sequel to the opener which treats with wonderful lyrics as well as powerfully evocative singing. \"Mother Jane\" remains a mystery after 30-plus years, but you don't need to understand it to enjoy it -- the pondering is a prize in itself. Side A ends with \"Fly\", an existential lament depicting alienation from others and self. Listen for the additional voices coming in near the end of the song on the word \"fly\" with a simultaneous harp flourish. \"A Long Song\" is the metaphoric and literal centerpiece of the album, falling precisely at the midway point. It's sweet and tender, with a narrator sure of himself. The brief \"Autopsy\", with its five lines, sung twice, carries a hefty poignancy with a melancholic tune. \"Return To The Relief\" is a lyrical and musical adventure. The carnival ride of this song finishes with a musical reference to \u003cb\u003eJackie DeShannon\u003c\/b\u003e's 1969 popular single \"Put A Little Love in Your Heart\". \"Munich\" is the only song on the album which feels \"dated\" in any way -- one can hear the influence of \"Revolution 9\" from \u003cb\u003eThe Beatles\u003c\/b\u003e' \u003cu\u003eWhite Album\u003c\/u\u003e (1968). The title could obliquely refer to the hostage taking at the 1972 Olympics in Munich, Germany -- the havoc of that event mirrored by the fragmented song. The final track is \"The Tredmill\" which features a constrained and dulcet voice singing in front of a muted piano, interpolated with occasional drum. In \u003cu\u003eYears\u003c\/u\u003e, Marc Jonson deftly inserts brilliant production values to songs already possessing beautiful melodies and poetic lyricism. Presented in facsimile artwork and pressed on 180 gram vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Munster Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eRock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e13.07.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0639\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21335901732953,"sku":"F_0639","price":135.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0639.jpg?v=1725110438"},{"product_id":"le-millipede-the-sun-has-no-money-lp","title":"Le Millipede: \"The Sun Has No Money\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Alien Transistor\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eRock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: 09\u003c\/strong\u003e.03.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_6041\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP version. Edition of 500. \u003c\/span\u003e\u003cb\u003eAlien Ensemble\u003c\/b\u003e\u003cspan\u003e's trombone man \u003c\/span\u003e\u003cb\u003eMathias Goetz\u003c\/b\u003e\u003cspan\u003e caused quite a splash when he released his eponymous debut LP under his \u003c\/span\u003e\u003cb\u003eLe Millipede\u003c\/b\u003e\u003cspan\u003e moniker back in 2015 The multi-instrumentalist's initial offering was clearly something else, impossible to grasp, a musical vessel that carried an almost cosmic kind of song-craft. Followed by remix album \u003c\/span\u003e\u003cu\u003eMirror Mirror\u003c\/u\u003e\u003cspan\u003e (2017), it's now time for album number two: \u003c\/span\u003e\u003cu\u003eThe Sun Has No Money\u003c\/u\u003e\u003cspan\u003e. Following an initial warm-up round sans electricity, this new album soon begins to glow: Goetz doesn't need pedals, he boosts circulation by single-handedly playing tons and tons of different instruments -- it actually feels like thousands, easily. There are various sonic illusions... and yet Le Millipede doesn't hide anything: He's also willing to show the inner workings, the actual recording process and everything else. In short: he goes meta. Some of these melodies appear to be shadows of earlier tunes, dating back to, say, 1898 or even before that, melodies that were first registered in the Tin Pan Alley publishers' offices back in 1912 or 1917. You'll actually get to see this Alley at that point in time. You'll see the ropes, the workings. Suddenly, you can hear the shadows! Okay, so one side of this street is America. The opposite side: Russia. And smack dab in the middle: Europe. All the back-and-forth that occurs between these two poles ultimately depends on the movement of the sun. You'll get to meet \u003c\/span\u003e\u003cb\u003eProkofiev\u003c\/b\u003e\u003cspan\u003e's and \u003c\/span\u003e\u003cb\u003eScriabin\u003c\/b\u003e\u003cspan\u003e's ghost, among other spirits, reframed and published by Le Millipede's own imaginary label imprint on the historic Tin Pan Alley. Indeed there are moments on this album when Le Millipede seems to be playing Scriabin's clavier a lumieres, when his performance seems to be based on synesthesia, a wild cross-pollination of colors and sounds. In case you didn't know this: In the States, Prokofiev goes by the name \u003c\/span\u003e\u003cb\u003eBrian Wilson\u003c\/b\u003e\u003cspan\u003e, and Scriabin's also known as \u003c\/span\u003e\u003cb\u003eSun Ra\u003c\/b\u003e\u003cspan\u003e -- yet another guy who's usually broke, but gets to spend a lot of time out in the sun. Together, these assorted protagonists ask the people of the Antilles for Mutabor dance-tokens and send postcards to \u003c\/span\u003e\u003cb\u003eMoondog\u003c\/b\u003e\u003cspan\u003e in Germany, right back into the darkness. Le Millipede controls the very center of this hustle and bustle: going as far as to employ some southern chopped-and-screwed styles, he's 100% current and zeitgeisty!\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21342852055129,"sku":"F_0641","price":95.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0641.jpg?v=1725110439"},{"product_id":"chris-carter-the-spaces-between-lp","title":"Chris Carter: \"The Spaces Between\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Optimo Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eElectronic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e12.10.2010\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_1060\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2018 repress; Grey vinyl. Originally recorded between 1974 and 1978 at Industrial Records studio in London, \u003c\/span\u003e\u003cu\u003eThe Space Between\u003c\/u\u003e\u003cspan\u003e was first released as a 90-minute cassette in 1980 on \u003c\/span\u003e\u003cb\u003eThrobbing Gristle\u003c\/b\u003e\u003cspan\u003e's Industrial Records label. It wasn't until 1991 that it was again released by Mute Records on CD. For those who may not know, \u003c\/span\u003e\u003cb\u003eChris Carter\u003c\/b\u003e\u003cspan\u003e is one of the founding members of Throbbing Gristle, partners with \u003c\/span\u003e\u003cb\u003eCosey Fanni Tutti\u003c\/b\u003e\u003cspan\u003e (knows as \u003c\/span\u003e\u003cb\u003eCarter-Tutti\u003c\/b\u003e\u003cspan\u003e and formerly recording as \u003c\/span\u003e\u003cb\u003eChris \u0026amp; Cosey\u003c\/b\u003e\u003cspan\u003e) who has been working with sound for over 40 years. Although tracks from \u003c\/span\u003e\u003cu\u003eThe Space Between\u003c\/u\u003e\u003cspan\u003e have appeared on numerous compilations since its release, the album has never been available on vinyl -- until now. This new vinyl edition on Optimo Music, now retitled \u003c\/span\u003e\u003cu\u003eThe Spaces Between\u003c\/u\u003e\u003cspan\u003e, doesn't include all the tracks on the original album but has been enhanced and remastered from the original two-track master tapes and has new cover artwork especially for this release. \u003c\/span\u003e\u003cb\u003eJD Twitch\u003c\/b\u003e\u003cspan\u003e has this to say about the release: \"\u003c\/span\u003e\u003ci\u003eThe original release featured fifteen tracks. As I wanted to have a reasonably loud vinyl pressing, I have picked my favorites to appear here (not an easy task to narrow it down). In addition, there is a bonus track 'Climbing' which was recorded around the same time that was released by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCoil\u003c\/b\u003e's\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGeoff Ruston\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eon his\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eMen With Deadly Dreams\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003ecassette in 1981. One of the first-ever recordings to use an 808 drum machine, it still sounds as if it is from tomorrow. In my opinion, these are some of the key recordings in the history of electronic music. They were made using very basic equipment at a time when there was no blueprint for what electronic music could and should be. There is a beauty, an emotion and an imagination present here that is lacking in a lot of modern machine music. This music is as vital and wondrous today as it was four decades ago\u003c\/i\u003e\u003cspan\u003e.\" All tracks have been remastered by Chris Carter in 2009 for this release. Musically, it's an electronic soundtrack for a sleazy sci-fi movie, with moments of uplifting beauty combined with bits of claustrophobic mania. 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Richard Youngs on the record: \"Drum machine, bass guitar, electric guitar, voice. Four sounds on four tracks of tape, mixed to computer with minimal embellishment. This LP, released especially for Record Store Day 2018, is something like how I wished I had sounded when I was 12. But, I hadn't the technology, some of it didn't even exist. Nor the ability, I was still learning. Nor the voice, it was yet to break. \u003c\/span\u003e\u003cu\u003eEndless Futures\u003c\/u\u003e\u003cspan\u003eis a record of two halves, yet of a piece. The sprawling title track that occupies the entirety of the first side contrasts with the short, sharp shocks of songs that comprise the second side. Both are re-imagined punk rock. But, this isn't music of the past. Re-purposing the music of my early adolescence takes me to a new musical zone, one in which the niceties of ornament are discarded in favour of directness. It isn't about being pretty, it is about saying something. With improvised lyrics, the message is of the moment. And, if all points in time are equally real, this eternal present of looking back is our \u003c\/span\u003e\u003cu\u003eEndless Future\u003c\/u\u003e\u003cspan\u003e.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003ci\u003eImagine Richard Youngs as the junior member of a cabal of prolific and puritanical English musician-mystics, including\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThe Fall\u003c\/b\u003e's\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMark E Smith\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eVan der Graaf Generator\u003c\/b\u003e's\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePeter Hammill\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMartin Carthy\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThe Clangers\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ecomposer\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eVernon Elliot\u003c\/b\u003e, and still his nature will elude you\u003c\/i\u003e\u003cspan\u003e\" --\u003c\/span\u003e\u003cb\u003eStewart Lee\u003c\/b\u003e\u003cspan\u003e, Sunday Times.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003ci\u003eiconic figure of the modern UK underground\u003c\/i\u003e\u003cspan\u003e\" --The Quietus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Glass Redux\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eRock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e21.04.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_6045\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21343363367001,"sku":"F_6045","price":155.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0643.jpg?v=1725110439"},{"product_id":"va-diggin-for-gold-volume-2-lp","title":"VA: \"Diggin' For Gold Volume 2\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eOFFICIAL RSD 2018 release. Rubble present a collection of rare and obscure 45s from around the world in an international showdown of teenage angst, despair, and delinquency. The toxic sound of '60s garage punk never sounded so good! Blasted through 60-watt amplifiers on a diet of amphetamines and adrenalin, \u003c\/span\u003e\u003cu\u003eDiggin' For Gold\u003c\/u\u003e\u003cspan\u003e offers torment and misery with an explosive twist in mind-bending mono! \u003c\/span\u003e\u003cu\u003eVolume 2\u003c\/u\u003e\u003cspan\u003e features \u003c\/span\u003e\u003cb\u003eThe Undertakers\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eNameless\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Moods\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSound LTD Set\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGroup $Oall\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eToreros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThor's Hammer\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDat En Wat\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThursday's Child\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Marksmen\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Beatnicks\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Inn-Sect\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Rolling Beats\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eThe Unforgettable Amnesiacs\u003c\/b\u003e\u003cspan\u003e. Limited edition 180 gram, gold vinyl. Includes a four-page, full-color booklet; Hand-numbered sleeve; Edition of 1500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rubble\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eRock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e21.04.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0646\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21343429296217,"sku":"F_6046","price":125.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0644.jpg?v=1725110439"},{"product_id":"va-diggin-for-gold-volume-6-lp","title":"VA: \"Diggin' For Gold Volume 6\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eOFFICIAL RSD 2018 release. Rubble present a collection of rare and obscure 45s from around the world in an international showdown of teenage angst, despair, and delinquency. The toxic sound of '60s garage punk never sounded so good! Blasted through 60-watt amplifiers on a diet of amphetamines and adrenalin, \u003c\/span\u003e\u003cu\u003eDiggin' For Gold\u003c\/u\u003e\u003cspan\u003e offers torment and misery with an explosive twist in mind-bending mono! \u003cu\u003eVolume 6\u003c\/u\u003e features \u003cb\u003eThe Downbeats\u003c\/b\u003e, \u003cb\u003eBean And Loopy's Lot\u003c\/b\u003e, \u003cb\u003eThe Blue Birds\u003c\/b\u003e, \u003cb\u003eThe Daimlers\u003c\/b\u003e, \u003cb\u003eThe Upsetters\u003c\/b\u003e, \u003cb\u003eMod East\u003c\/b\u003e, \u003cb\u003eThe A-Cads\u003c\/b\u003e, \u003cb\u003eEvil Eyes\u003c\/b\u003e,\u003cb\u003eThe Interpreters\u003c\/b\u003e, \u003cb\u003eHet\u003c\/b\u003e, \u003cb\u003eThe Acts\u003c\/b\u003e, \u003cb\u003eWayne Gibson \u0026amp; The Dynamics\u003c\/b\u003e, \u003cb\u003eMidnatt Fyran\u003c\/b\u003e, \u003cb\u003eThe Sandy Coast\u003c\/b\u003e, \u003cb\u003eThe Downbeats\u003c\/b\u003e, and \u003cb\u003eRick And Sandy\u003c\/b\u003e. Limited edition 180 gram, gold vinyl. Includes a four-page, full-color booklet; Hand-numbered sleeve; Edition of 1500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rubble\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eRock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e21.04.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0647\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21343449579609,"sku":"F_0647","price":125.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0645.jpg?v=1725110440"},{"product_id":"gordon-jackson-thinking-back-lp","title":"Gordon Jackson: \"Thinking Back\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sunbeam Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eRock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e11.07.2006\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0648\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePreviously reissued on CD by Sunbeam, now issued on deluxe LP format as well. Gordon Jackson's rare 1969 LP can almost be called a lost \u003c\/span\u003e\u003cb\u003eTraffic\u003c\/b\u003e\u003cspan\u003e album. Produced by \u003c\/span\u003e\u003cb\u003eDave Mason\u003c\/b\u003e\u003cspan\u003e, it's a melodic distillation of folk, pop and psychedelia featuring the talents of \u003c\/span\u003e\u003cb\u003eSteve Winwood\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJim Capaldi\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDave Mason\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eChris Wood\u003c\/b\u003e\u003cspan\u003e. Also appearing are \u003c\/span\u003e\u003cb\u003eJim King\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eRic Grech\u003c\/b\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cb\u003eFamily\u003c\/b\u003e\u003cspan\u003e), \u003c\/span\u003e\u003cb\u003eJulie Driscoll\u003c\/b\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cb\u003eBlossom Toes\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMeic Stevens\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eReg King\u003c\/b\u003e\u003cspan\u003e and many others. A true lost classic, it is guaranteed to delight music fans worldwide. 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