{"title":"Electronic","description":"","products":[{"product_id":"henrik-rylander-fran-en-obestamd-plats-i-rummet-lp","title":"Henrik Rylander: \"Fran En Obestamd Plats I Rummet\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eHoga Nord Arkiv\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eElectronic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e26.01.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0198\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released on CD in 1998. Like a message in a bottle, carried round by the ocean streams for decades, \u003c\/span\u003e\u003cb\u003eHenrik Rylander\u003c\/b\u003e\u003cspan\u003e's album \u003c\/span\u003e\u003cu\u003eFrån En Obestämd Plats I Rummet\u003c\/u\u003e\u003cspan\u003e has floated around in the space of Swedish underground music. Höga Nord Rekords pulls the cork and unfolds the message that is a piece of music that was ahead of its time, sounding \"now\" 20 years after its first release in the late nineties. This album is a well-kept secret even for the most initiated music lovers in Sweden. The music, influenced by \u003c\/span\u003e\u003cb\u003eFlying Saucer Attack\u003c\/b\u003e\u003cspan\u003e and other reverb\/distortion drenched acts from the early nineties, \u003c\/span\u003e\u003cb\u003eHarmonia\u003c\/b\u003e\u003cspan\u003e, and some of \u003c\/span\u003e\u003cb\u003eKraftwerk\u003c\/b\u003e\u003cspan\u003e's earlier works and minimalism still sounds fresh. Rylander, a member of legendary acts such as \u003c\/span\u003e\u003cb\u003eUnion Carbide Productions\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eThe Skull Defekts\u003c\/b\u003e\u003cspan\u003e, has been pushing the envelope for electronic music, varying between ambient and noise. Rylander's solo works could be described as sophisticated music and \u003c\/span\u003e\u003cu\u003eFrån En Obestämd Plats I Rummet\u003c\/u\u003e\u003cspan\u003e combines the sophisticated sides with his band-oriented works that hold another kind of tension. This record is the first release on the sub-label Höga Nord Arkiv on which releases from the past, that hasn't got as much attention as they deserve, get re-released in an appropriate context.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21256700231769,"sku":"F_0198","price":125.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/F_0198.jpg?v=1725110412"},{"product_id":"hudson-mohawke-lantern-lp","title":"Hudson Mohawke: \"Lantern\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eWarp Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eElectronic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e16.06.2015\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0601\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eLantern\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e is the second studio album by Scottish producer and DJ Hudson Mohawke\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e It was released on Warp Records \u003c\/span\u003e\u003cspan\u003eon June 16, 2015.\u003c\/span\u003e\u003cspan\u003e It features guest appearances from vocalists including Anohni\u003c\/span\u003e\u003cspan\u003e, Miguel\u003c\/span\u003e\u003cspan\u003e, and Jhene Aiko\u003c\/span\u003e\u003c\/p\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21257575628889,"sku":"F_0601","price":90.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/F_0601.jpg?v=1725110414"},{"product_id":"mhysa-fantasii-lp","title":"Mhysa: \"Fantasii\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cb\u003eMhysa\u003c\/b\u003e\u003cspan\u003e is in possession of a totally compelling voice and production style, both feeding into a sound that's prone to intuitively explore and reassert the limits of R\u0026amp;B, electronica, or modern soul in 2017. She makes a big impression with \u003c\/span\u003e\u003cu\u003efantasii\u003c\/u\u003e\u003cspan\u003e, her first album proper following dispatches with NON and a lauded mixtape alongside \u003c\/span\u003e\u003cb\u003echukwumaa\u003c\/b\u003e\u003cspan\u003e as \u003c\/span\u003e\u003cb\u003eSCRAAATCH\u003c\/b\u003e\u003cspan\u003e. Think \u003c\/span\u003e\u003cb\u003eKlein\u003c\/b\u003e\u003cspan\u003e's freeform R\u0026amp;B structures riddled with \u003c\/span\u003e\u003cb\u003eRabit\u003c\/b\u003e\u003cspan\u003e-like production tics, and you're in grasping distance of the fractious but idiosyncratically coherent styles inhabited by this highly intriguing addition to the vanguard of new music from the fertile margins of American music. Against a refreshing general lack of broken glass or gunshot samples, the self-described \"Black queer femme cultural producer, sound designer, womanist + Diva\" animates swirling, impossibly balanced structures with a tearaway imagination, keening from vaulted, pitch-shifting gospel in \"Special Need Intro\" to a multi-dimensional, abstract grime cover of \u003c\/span\u003e\u003cb\u003ePrince\u003c\/b\u003e\u003cspan\u003e in the course of 11 songs. The Klein comparisons are apt, the pair share a unique perception of R\u0026amp;B and church music as a gateway to other, dreamlike dimensions. From the way Mhysa appropriates the ecclesiastic psychedelia of physical church spaces in the reverb-storm of \"Glory Be Black\" to the rugged ambient inversion of R\u0026amp;B's usual warmth in the six-minute highlight \"Bb\", or undermining the conventions of club music in the A-grade anti-bangers \"Strobe\" and \"You Not About That Lyfe\", she offers a particular example of the contemporary, young, Black, and queer experience. No doubt, \u003c\/span\u003e\u003cu\u003efantasii\u003c\/u\u003e\u003cspan\u003e is a vital addition to the canon of boundary pushing and resetting music and politics also espoused by \u003c\/span\u003e\u003cb\u003eElysia Crampton\u003c\/b\u003e\u003cspan\u003e, Rabit, \u003c\/span\u003e\u003cb\u003eANGEL-HO\u003c\/b\u003e\u003cspan\u003e, or \u003c\/span\u003e\u003cb\u003eChino Amobi\u003c\/b\u003e\u003cspan\u003e -- one of 2017's most rewarding albums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Halcyon Veil\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Electronic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e26.01.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_6034\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21335715676249,"sku":"F_6034","price":125.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0634.jpg?v=1725110438"},{"product_id":"bass-communion-s-t-lp","title":"Bass Communion: \"s\/t\" LP","description":"\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hidden Art Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eElectronic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e21.04.2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0636 \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHidden Art Recordings present a reissue of the debut \u003c\/span\u003e\u003cb\u003eBass Communion\u003c\/b\u003e\u003cspan\u003e album as a double-LP for the first time. \u003c\/span\u003e\u003cb\u003eSteven John Wilson\u003c\/b\u003e\u003cspan\u003e, aka Bass Communion, on the record: \"The first Bass Communion album was originally released in April 1998 by Third Stone, the same label later reissuing it under their Hidden Art Recordings imprint. It was compiled from musical experiments made during a period spanning 1994-97, all of which might loosely be termed ambient. Later on I would spend a lot more time on Bass Communion, often refining structures, processing, and sound combinations over a period of months, but at this point I was making each piece of music within only a few hours and rarely revisiting them afterwards. Several DAT tapes with filled in this way, while CDRs of various track listings were made and passed on to friends, record labels, and anyone that I thought might be receptive to the music. When the chance eventually came to release the first official CD, I listened back to the several hours of material I had accumulated by then and selected what I felt were the highlights to make a five-track disc lasting just over an hour. In retrospect it's the long version of 'Drugged' that makes the album worthwhile for me. The other pieces are perhaps less successful, but I learned something from all of them. One thing the album has in common with later Bass Communion music is that hardly any electronic sources are used, the pieces are mostly derived from processing 'real' instruments such as guitar, saxophone, piano, organ, percussion... etc. 'No News Is Good News' was recorded in 2000 in collaboration with virtuoso oud player \u003c\/span\u003e\u003cb\u003eNaseer Shamma\u003c\/b\u003e\u003cspan\u003e, and originally used a background music for \u003c\/span\u003e\u003cb\u003eGrant Wakefield\u003c\/b\u003e\u003cspan\u003e's audio documentary album \u003c\/span\u003e\u003cu\u003eThe Fire This Time\u003c\/u\u003e\u003cspan\u003e, issued in 2002. As such it dates from a few years after the rest of BC1, but as it's the only other title to have been issued on Hidden Art, it's been included here as a bonus track.\" Comes on 180 gram vinyl and in a gatefold sleeve. Remastered and with exclusive liner notes by \u003c\/span\u003e\u003cb\u003eSteven Wilson\u003c\/b\u003e\u003cspan\u003e. Includes a bonus track not on the CD version and brand-new artwork. Edition of 1000 -- last copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21335796219993,"sku":"F_0636","price":180.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0636.jpg?v=1725110438"},{"product_id":"chris-carter-the-spaces-between-lp","title":"Chris Carter: \"The Spaces Between\" LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Optimo Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eElectronic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e12.10.2010\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_1060\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2018 repress; Grey vinyl. Originally recorded between 1974 and 1978 at Industrial Records studio in London, \u003c\/span\u003e\u003cu\u003eThe Space Between\u003c\/u\u003e\u003cspan\u003e was first released as a 90-minute cassette in 1980 on \u003c\/span\u003e\u003cb\u003eThrobbing Gristle\u003c\/b\u003e\u003cspan\u003e's Industrial Records label. It wasn't until 1991 that it was again released by Mute Records on CD. For those who may not know, \u003c\/span\u003e\u003cb\u003eChris Carter\u003c\/b\u003e\u003cspan\u003e is one of the founding members of Throbbing Gristle, partners with \u003c\/span\u003e\u003cb\u003eCosey Fanni Tutti\u003c\/b\u003e\u003cspan\u003e (knows as \u003c\/span\u003e\u003cb\u003eCarter-Tutti\u003c\/b\u003e\u003cspan\u003e and formerly recording as \u003c\/span\u003e\u003cb\u003eChris \u0026amp; Cosey\u003c\/b\u003e\u003cspan\u003e) who has been working with sound for over 40 years. Although tracks from \u003c\/span\u003e\u003cu\u003eThe Space Between\u003c\/u\u003e\u003cspan\u003e have appeared on numerous compilations since its release, the album has never been available on vinyl -- until now. This new vinyl edition on Optimo Music, now retitled \u003c\/span\u003e\u003cu\u003eThe Spaces Between\u003c\/u\u003e\u003cspan\u003e, doesn't include all the tracks on the original album but has been enhanced and remastered from the original two-track master tapes and has new cover artwork especially for this release. \u003c\/span\u003e\u003cb\u003eJD Twitch\u003c\/b\u003e\u003cspan\u003e has this to say about the release: \"\u003c\/span\u003e\u003ci\u003eThe original release featured fifteen tracks. As I wanted to have a reasonably loud vinyl pressing, I have picked my favorites to appear here (not an easy task to narrow it down). In addition, there is a bonus track 'Climbing' which was recorded around the same time that was released by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCoil\u003c\/b\u003e's\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGeoff Ruston\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eon his\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eMen With Deadly Dreams\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003ecassette in 1981. One of the first-ever recordings to use an 808 drum machine, it still sounds as if it is from tomorrow. In my opinion, these are some of the key recordings in the history of electronic music. They were made using very basic equipment at a time when there was no blueprint for what electronic music could and should be. There is a beauty, an emotion and an imagination present here that is lacking in a lot of modern machine music. This music is as vital and wondrous today as it was four decades ago\u003c\/i\u003e\u003cspan\u003e.\" All tracks have been remastered by Chris Carter in 2009 for this release. Musically, it's an electronic soundtrack for a sleazy sci-fi movie, with moments of uplifting beauty combined with bits of claustrophobic mania. Amazing stuff.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21342988501081,"sku":"F_1060","price":110.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/f-0642.jpg?v=1725110439"},{"product_id":"container-lp-lp","title":"Container: \"LP\" LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eRen Schofield\u003c\/b\u003e\u003cspan\u003e has returned with a new installment in his notorious \u003c\/span\u003e\u003cu\u003eLP\u003c\/u\u003e\u003cspan\u003e series for Spectrum Spools. \u003c\/span\u003e\u003cu\u003eLP\u003c\/u\u003e\u003cspan\u003e has all the earmarks of the classic Container sound with its uber-mangled, saturated tape garble and headlong tempo macabre. However, this new set of tracks feature an attention to composition unlike much of the Container you've previously heard. While the tracks unfurl across two sides of wax the contours and jagged edges of each sonic sculpture display a new refinement while maintaining the full capacity to vaporize any club floor with Container's traditional recklessness. Miraculously, this new \u003c\/span\u003e\u003cu\u003eLP\u003c\/u\u003e\u003cspan\u003e manages to incorporate some more traditionally \"musical\" elements thus far untouched upon in the projects output while simultaneously delivering it's most damaged and blown out offering yet. Despite leaving a trail of albums that get more intense with each passing year, this \u003c\/span\u003e\u003cu\u003eLP\u003c\/u\u003e\u003cspan\u003e is bar none the most loaded. The tracks feature a trajectory with narrative, surrounded by broken acid basslines grating against disintegrating tape loops. This is the infectious and singular hypnosis Container has become well-known for. Overloaded drum patterns, washes of feedback, and dying melodies -- it's all here and somehow it's restructured to be different and better than ever before. With this latest installment, there are no longer shambles but merely dust left behind. As Container continues to evolve in an upward motion, \u003c\/span\u003e\u003cu\u003eLP\u003c\/u\u003e\u003cspan\u003e presents a refreshing and welcome new chapter. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Spectrum Spools\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eElectronic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e7\/13\/2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0865\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FRAME MUSIC","offers":[{"title":"Default Title","offer_id":21604916854873,"sku":"F_0865","price":115.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/5731\/9769\/products\/SP048LP_PROD.jpg?v=1725110461"},{"product_id":"swingrowers-outsidein-lp","title":"Swingrowers: \"Outsidein\" LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"about-label\"\u003e\u003cspan\u003eOUTSIDEIN is Swingrowers' third full-length studio album, showcasing the band's expert musicianship and most meticulous production to date. Mixing genres from jazz to electronica, from gypsy-swing to full-on rock'n'roll with a melodic pop sensibility, this tightly-knit Italian outfit oozes style and attitude in live shows and records alike.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"about-label\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003e\u003c\/span\u003eFreshly Squeezed Music\u003c\/p\u003e\n\u003cp class=\"about-label\"\u003e\u003cstrong\u003eGenre: \u003c\/strong\u003eElectronic\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArticle: \u003c\/strong\u003eF_0757\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\nbr 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